Nothing Re-Fused: Performing the Neo-Institution

Authors

  • NOTHING HAPPENING HERE
  • Kelsey Brod Duke University
  • Katia Schwerzmann Bauhaus Universität Weimar
  • Jordan Sjol Duke University
  • Alexander Strecker Duke University
  • Kristen Tapson Duke University

DOI:

https://doi.org/10.7146/aprja.v10i1.128189

Keywords:

Neo-Institution, Performance, Refuse, Assembly, Depression, Extraction

Abstract

In this paper, we outline the shape of a new institutional structure born of neo-liberal precariousness that we call the neo-institution. The neo-institution is immune to refusal, while at the same time an expert in extracting labor, time, knowledge, and attention. Because there is no way out of the aporia that is the neo-institution—no practical way to re-shape or refuse it—we propose to partly subtract ourselves from it by instigating another way to assemble. We advance the theoretical practice of stitching as a form of assembling that does not erase traces of labor and fight and that eludes any totalizing tendency. Understood as a way of assembling and writing, stitching is a practice of repairing, repurposing, and holding together. Finally, while fatigue, exhaustion, burnout, and depression are the inescapable result of neo-liberal precariousness, we praise the entropic ability of the body to refuse to be treated like refuse.

Author Biographies

NOTHING HAPPENING HERE

Nothing Happening Here is an art-research collective formed from the Speculative Sensation Lab (S-1) at Duke University in 2020. Currently, we are based in Berlin, Athens and Durham, NC. Our work involves nothing, bad debt, refuse, stitching, credit, experiments, machine performance, and instituting otherwise.

Kelsey Brod, Duke University

Kelsey Brod is a PhD student in the Computational Media, Arts and Cultures program at Duke University.

Katia Schwerzmann, Bauhaus Universität Weimar

Katia Schwerzmann (PhD) is a research and teaching fellow at the Bauhaus Universität Weimar.

Jordan Sjol, Duke University

Jordan Sjol is a PhD candidate in the Program in Literature at Duke University.

Alexander Strecker, Duke University

Alexander Strecker is a PhD candidate in the Department of Art, Art History and Visual Studies at Duke University.

Kristen Tapson, Duke University

Kristen Tapson (PhD) is a Scholar in Residence in the Department of Art, Art History and Visual Studies at Duke University.

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Published

2021-08-20