Rethinking Digital Liveness in ‘The Likes of Brother Cream Cat’
This essay discusses ‘post-digital liveness’ via the artwork The likes of Brother Cream Cat, made in 2013 in collaboration with Helen Pritchard. The work is about a popular figure and celebrity cat, Brother Cream, who lives in a convenience store everyday with the shop owner in Tsim Shai Tsui, Hong Kong. He became popular in Hong Kong in 2011 after he disappeared and was later found through the help of his Facebook fans who alerted local residents to his disappearance. Brother Cream Cat’s attraction permeates in both the physical and digital live network. He has over 1000 first time and recurring fan visits per day at his store and has accumulated with more than 150,000 “likes” on his Facebook fan page 尖東忌廉哥. The number of “likes” becomes an instrument, as well as a starting point, to sustain his well being by attracting more visitors (both online and offline), to sell merchandised products, cat food and sponsorship opportunities for this animal celebrity, Brother Cream.
Copyright (c) 2014 A Peer-Reviewed Journal About
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
CC license: ‘Attribution-NonCommercial-ShareAlike’