Deep Faking in a Flat Reality?

Authors

DOI:

https://doi.org/10.7146/aprja.v13i1.151235

Keywords:

Artificial Intelligence, Chatbots, Deepfake, Virtual Politician, Synthetic Party, Flatness, Morphology

Abstract

In this article, we examine surprising examples of how AI-driven political entities integrate within the public sphere. We focus on an image illustration by The Guardian that depicts the US President Joe Biden alongside three agents of The Synthetic Party (Det Syntetiske Parti, DSP) from Denmark, focusing on the theme of deepfakes and elections. We argue that The Guardian’s portrayal of Biden/DSP highlights a paradoxical shift caused by what we call a ‘deep faking’ within a ‘flat reality.’ On this basis, we venture into a conceptually transversal intersection of geometry, politics, and art by interrogating the wide flattening of political realities — a transformation conventionally characterized by a perceived move from depthful, nuanced discourse to a landscape dominated by surface-level engagements and digital simulacra. We suggest that this transformation may lead to a new political morphology, where formal democracy is altered by synthetic simulation.

Author Biographies

Asker Bryld Staunæs, Aarhus University

Asker Bryld Staunæs is a practice-based PhD researcher at Aarhus University and Kunsthal Aarhus. He works with an expanded concept of politics, oftenly at the intersection of AI, democracy, and art. Asker becomes operative through diverse extra-disciplinary collectives, such as “Computer Lars”, “Center for Aesthetics of AI Images”, “The Synthetic Party”, “The Organ of Autonomous Sciences”, etc.

Maja Bak Herrie, Aarhus University

Maja Bak Herrie is postdoc at School of Communication and Culture, Aarhus University. She has published several articles within aesthetics, media theory, and the philosophy of science on topics such as computational technologies of vision, scientific imaging, photography, mediality, and artistic research. 

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Published

2024-11-19