The Autophagic Mode of Production

Hacking the Metabolism of AI

Authors

  • Luca Cacini University for Continuing Education Krems, Aalborg University, University of Lodz, Lasalle College of the Arts

DOI:

https://doi.org/10.7146/aprja.v13i1.151233

Abstract

This article delves into the autophagic nature of generative AI in content production and its implications for cultural and technological landscapes, defined in the paper as technocene. From a broader perspective, it proposes a metabolic characterization of the technocene and explores the idea of how generative AI, such as large language models (LLMs) like ChatGPT and DALL-E, resembles an autophagic organism, akin to the biological processes of self-consumption and self- optimization. The article draws parallels between this process and cybernetics, then evokes the mythological symbol of Ouroboros, reflecting on the integration of opposites and the shadow phenomena in LLMs. Specifically, the article discusses the concepts of “Model Collapse”, "Shadow Prompting" and "Shadow Alignment," highlighting the potential for subversion and the generation of potentially harmful, rebellious content by LLMs. It also addresses the ethical implications of generative AI in art and culture, highlighting the risk of a media monoculture, the spread of disinformation and the emergence of a category of Hackers embracing methodologies to deviate these infrastructures. The discourse aims to emphasize the subversive forms of synthetic media that the process of Generative AI, embedded by repetition in the algorithmic model of the machine, may engender. By examining the autophagic nature of generative AI and its potential ethical and cultural ramifications, the article seeks to analyze the reterritorializing of the relations of production by humans in the context of content creation and consumption.

Author Biography

Luca Cacini, University for Continuing Education Krems, Aalborg University, University of Lodz, Lasalle College of the Arts

Luca Cacini is an interdisciplinary artist and researcher in new media. His work investigates the intersections of queer ecology and techno-capitalism. He is part of the Media Arts Cultures Erasmus Mundus Joint Master Degree program at the University for Continuing Education Krems, Aalborg University, University of Lodz, and Lasalle College of the Arts.

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Published

2024-11-19