On Critical “Technopolitical Pedagogies”

Learning and Knowledge Sharing with Public Library/Memory of the World and syllabus ⦚ Pirate Care

Authors

  • Denise Helene Sumi Tthe University of Applied Arts, Vienna

DOI:

https://doi.org/10.7146/aprja.v13i1.151223

Keywords:

Technopolitics, Pedagogy, Syllabus, Public Library, Disobedience, Library Catalogue

Abstract

This article explores the pedagogical and political dimensions of the specific content-form relations of the projects Public Library/Memory of the World and syllabus ⦚ Pirate Care. Public Library/Memory of the World (2012–ongoing) by Marcell Mars and Tomislav Medak serves as an online shadow library in response to the ongoing commodification of academic research and threats to public libraries. syllabus⦚ Pirate Care (2019), a project initiated by Valeria Graziano, Mars, and Medak, offers learning resources that address the crisis of care and its criminalisation under neoliberal policies. By employing “technopolitical pedagogies” and advocating the sharing of knowledge, these projects enable forms of practical and political orientation in a world of “insuppressible friction.” They use network technologies and open-source tools to provide access to information and support civil disobedience against restrictive intellectual property laws. The article argues that these projects represent critical pedagogical interventions, hacking the monodimensional tendencies of educational systems and library catalogues, and produce commoner positions.

Author Biography

Denise Helene Sumi, Tthe University of Applied Arts, Vienna

Denise Helene Sumi (she/her) is a curator, editor, and researcher. She works as a doctoral researcher at the Peter Weibel Institute for Digital Cultures at the University of Applied Arts in Vienna and has been the coordinator of the Digital Solitude program at the international and interdisciplinary artist residency Akademie Schloss Solitude, Stuttgart, from 2019 to 2024. Her research focuses on the mediation of artistic experimental directions that establish and maintain technology-based relationships, lateral knowledge exchange, and collective approaches. Sumi was editor in chief of the Solitude Journal and is cofounder of the exhibition space Kevin Space, Vienna. Her writing and interviews have been published in springerin, Camera Austria, Spike Art Quarterly, Solitude Journal, Solitude Blog, and elsewhere.

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Published

2024-11-19