Rendering Volumetrically, Rendering Queerly

Authors

  • Vítor Blanco-Fernández Universitat Pompeu Fabra, Barcelona

DOI:

https://doi.org/10.7146/aprja.v11i1.134308

Keywords:

rendering, queer, research, virtual reality,, contemporary art

Abstract

The main aim of this article is to describe the conceptual basis and challenges of the project Volumetric Frictions. Volumetric Frictions is a queer virtual reality resulting from my will to render my ongoing PhD research (“Digital Speculation, Volumetric Fictions. Volumetric/3D CGI within the queer contemporary debate”) differently. To contextualize the project, I start by addressing contemporary debates about the role of queer, and the practice of queering, in academic institutions. Then, I move forward to describe my PhD research and its pro-visional results. I name these results “volumetric frictions”, as they define crossing paths between queer theories and 3D/volumetric aesthetics. Finally, I summarize some of the challenges currently being faced in the design of the project. Throughout the article, I make use of contemporary 3D/volumetric art to illustrate ideas, concepts, and possible solutions.

Author Biography

Vítor Blanco-Fernández, Universitat Pompeu Fabra, Barcelona

Vítor Blanco-Fernández is a pre-doctoral researcher and professor at the Universitat Pompeu Fabra, Barcelona, at the Department of Communication. They hold a MA in Media, Power, and Difference (2019). They are member of the Critical Communication Research Group, as well as the research projects Mobile Intimacy, LGBTIQ+Screens, and the TransmediaLab (UCM). Their research lines are LGBTIQA+/Queer Media Studies, Feminist Criticism, Digital Culture, and Contemporary Art.

Downloads

Published

2022-10-18