Musical Instrument Interfaces

Authors

  • Mikkel Bech-Hansen Aarhus University

DOI:

https://doi.org/10.7146/aprja.v2i1.121132

Keywords:

interface, music, tool, instrument, tactility, interaction, musical interfaces, digital tools

Abstract

Controlling digital tools, instruments or appliances can be a quite tedious task. It could seem as if the huge computational and technological potentials of digital technologies – often internalized and inaccessible – in many cases take precedence over the very interface that is to unleash its powers. The following is a preliminary overview of my motivation and some of the main issues within the context of my research on musical instrument interfaces. My own experiences and frustrations as a musician and sound engineer is probably the primary driving force behind this project. Originally being a drummer, my approach to creating music have always had a very physical and tactile dimension to it. Problems and difficulties arose, however, when I started working with other instruments, such as analog and digital synthesizers, tape machines and computer software. What I am interested in is the interaction between the musician and the relevant instruments or pieces of technology.

Author Biography

Mikkel Bech-Hansen, Aarhus University

Mikkel Bech-Hansen, PhD researcher, Dept. of Aesthetics and Communication, Aarhus University

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Published

2013-01-31

Issue

Section

Articles